Local Stop, Sheridan Square
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| From THE POEMS LOOKED AT: or, NOTES by Eli Siegel |
| Local Stop, Sheridan Square. 1966. There are places in America known because something happened there and people wanted to remember what happened. Something happened near Concord Bridge—and it was remembered, among others by Emerson in a poem; something happened at Little Round Top in the neighborhood of Gettysburg, and that too is remembered. Then there are places where something goes on or occurs, and there is no one great occurrence cherished by an historian or poet. The place written of in this poem is where there was Expectation and there was Strangeness and there was the New-and-the-Old as one thing: for there was the "heard of" now become the visible. When people emerged from the subway stop at Sheridan Square, they did feel a little like Columbus on a new shore, or like a New Englander at last in the town of England associated with his dear genealogy. Surely, there are differences; yet there is no doubt that Sheridan Square—the seeing of it—has caused emotion. The emotion was different in 1916, in 1926, in 1936, in 1946, in 1956, and in 1966—but an emotion was. With all the prevalence of the Greenwich Village Weltanschauung and Selbstanschauung—less picturesquely, Worldview and Selfview—in many parts of the coun try other than Greenwich Village, this portion of New York is irreplaceable in the redolent, thoughtful, sinister, unrestrained possibilities of feminine and masculine America. Something of why, it is hoped, is in the poem. The Long Island shore could be written of in lines of many syllables by that Long Islander, Brooklyner, Manhattaner, and Greenwich Villager, Walt Whitman. Sheridan Square, Local Stop, deserves some long lines too, the melody of which has been thought about.
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From Hail, American
Development (Definition Press)
© 1968 by Eli
Siegel
Eli Siegel on Beauty | Biography | Multicultural Aesthetics | Countering the Lies | US Congressional Record

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