Aesthetic Realism in the Press |
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Aesthetic Realism ConsultationsFor example, in one consultation John Parker told us he was tremendously affected that his parents were separating after many years of marriage. He said self-critically, "I should be more understanding. I shouldn't be so quick to make judgments and get angry." "What do you think stops you?" his consultants asked. "I don't like thinking about people enough," he answered. Our purpose was to have Mr. Parker respect himself by thinking deeply about their feelings and also about the feelings of his 10-year-old brother George. He told us about an incident which troubled him. He and his wife had taken George to an amusement park and though Mr. Parker felt they had a "wonderful time," George complained a lot. While he was very critical of George, he wasn't sure that he was kind. We asked: "Did you feel you could have been more understanding?" "Yes," he answered. Consultants. Did he feel the amusement park was in the same world as his confusion about his mother and father, or was it some respite, some escape?John Parker represents men everywhere, hoping to be kind and desperate to know what stops them. The criticism of Aesthetic Realism is the kindest thing we can hear because it enables us to change, to be increasingly kinder. This is the education I have the great good fortune to continue studying now in classes taught by Ellen Reiss, the Class Chairman of Aesthetic Realism. The big thing that stops men from being kind is contempt. A form it can take is thinking we are smart and strong in being displeased with the world. In a class I learned from Miss Reiss how this was in me. My wife mentioned my tendency to be irritated if I didn't understand something right away, for example, if I couldn't figure out how to record music on our new CD player, or if Maureen asked me a question which I saw as interrupting my line of thought. Miss Reiss encouraged me to be deeper, to see good nature as strong, intellectual, practical. She said, "You should have a certain sweet quality of, 'There's more for me to see, and I'm going to see it!'" Through this discussion, I decided to study good nature and kindness in literature, which led me to a great 19th century English novelist. |
Kindness, Good Nature, and Charles DickensThe thing that we see in Dickens—and those persons who want to find out what liking the world means have to see what Dickens is saying—is that the need to like the world is tremendous in him; it's insistent.Dickens was a fierce critic of the contempt and brutality of profit economics — seeing people in terms of how much money can be made from their labor and how little they can be paid. Said Mr. Siegel, "Dickens himself is a study in determination and kindness. He was steel and tears."
But despite these adversities, which can plummet him into despair, unlike many people he doesn't use what he endures to hate the world or to be mean. His desire to be honestly pleased and to have others be, springs forth with courage, charm and utterness. He was, said Dickens, "a thoroughly good-natured man." For example, to Mr. Micawber’s grief and mortification, creditors yell up at his window demanding payment, "But," writes Dickens, "within half an hour afterwards, he would polish up his shoes with extraordinary pains, and go out, humming a tune with a greater air of gentility than ever." His good nature is the same as his passion for justice and feeling for people. In debtor's prison he works on a petition to the government to end imprisonment for debt. Writes Dickens: Mr. Micawber (who was...never so happy as when he was busy about something that could never be of any profit to him) set to work at the petition...and appointed a time for all...if they chose, to come up to his room and sign it.Mr. Micawber has graciousness and kindness in the midst of worry. The way he talks to Emma has sweetness and thoughtfulness that are also strong, energetic, hearty. While she is dear to him, other people are too and he is critical of himself for irritability or discontent. He is upset when water to their home is cut off because he can’t pay the water bill. But soon he is making a bowl of punch and Dickens writes: "His recent despondency...was gone in a moment...[and] it was wonderful to see his face shining at us." What Dickens is saying through Micawber, which Aesthetic Realism makes clear, is of tremendous importance now as so many people are in agony about money, unable to provide even the bare necessities for their families because they can't get decent paying jobs. To be kind a man has to be accurate about the cause of this brutal unkindness. In the international periodical,The Right of Aesthetic Realism to Be Known, Ellen Reiss explains: A cruel economy, which is causing so much pain to people, is not the same as the world—in fact is unfair to the world. And therefore to be against it, even furious with it, should not mean being against the world itself. It is human contempt, not reality, which has decreed that you can have a job, or rent an apartment, only if someone can make big profit from you.Miss Reiss states that real kindness is "to oppose what is unjust in a person out of respect for that person; to be terrifically against what is ugly in the world out of love for that world." This we see in Mr. Micawber who, desperate for work, accepts a job offered by Uriah Heep, one of the memorable villains in fiction. Heep exemplifies the contempt Mr. Siegel so kindly criticized in me — "the putting on a show of 'kindness' and 'usefulness'" while secretly manipulating people. Micawber is pivotal in exposing and defeating Heep’s ruthlessness, and it is thrilling to see good nature at one with fierce determination to have others rightly pleased. The kindness that the world is desperate for is in the study of Aesthetic
Realism. As this education becomes known, people everywhere will meet their
greatest friend, Eli Siegel, the man whose understanding of the human mind
— including what makes us cruel — has given humanity the knowledge that
will make the world truly kind!
Ernest DeFilippis is a consultant on the faculty of the Aesthetic Realism Foundation, a not-for-profit educational foundation at 141 Greene St., New York, NY 10012, (212) 777-4490; www.AestheticRealism.org. Some papers he has given in public seminars at the Foundation are, "Is Love Owning or Knowing?" "Why Are We Against Ourselves?" "Contempt, Regret and Vietnam," "Can a Man Be Proud of His Purpose in Sex?" |
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